Alexandros Haridis (Αλέξανδρος Χαρίδης) is a Greek architect and researcher of computation in its interface with architecture, design theory, art and digital technologies. He is currently Lecturer at Harvard University (2023–), with primary affiliation with the John A. Paulson School of Engineering and Applied Sciences and joint affiliation with the Graduate School of Design. He earned a PhD and MSc in Architecture: Design and Computation (2022) and dual MSc in Computer Science (2017), all from the Massachusetts Institute of Technology, and a professional Diploma of Architect-Engineer from the Aristotle University of Thessaloniki in Greece.
His research focuses on expanding the role of architecture and spatial design into the broader interdisciplinary quest for characterizing human and machine intelligence through computation. In this line of research, his recent work examines the emergence of mathematical and computational aesthetic systems in the 20th c. with a focus on rule-based systems and the formal, perceptual, and computational frameworks they provide for the comparison and evaluation of works of design in architecture, visual art, and engineering spatial design. His work draws extensively from design computation theory, such as the shape grammar formalism, and engages broader design-centered issues at the interface of spatial perception, structural mathematics, and modern data-driven AI.
Published work appears in the peer-reviewed journals Design Studies, Environment and Planning B, Computers & Graphics, Journal of Mathematics and the Arts, and in the Design Computing and Cognition conference series. Haridis has received a number of fellowships and research grants in support of his work from the MIT School of Architecture + Planning and the MIT Presidential Fellows Program, the Harvard Data Science Initiative, Biennial of Young Artists, and Onassis and A.G. Leventis Foundations, among others.
At MIT he was a member of the Computation Group in the MIT Department of Architecture, the MIT Computer Science and Artificial Intelligence Lab (CSAIL), and the MIT Digital Structures Group.
His professional and creative work is characterized by a diversity in scale, medium, and technique always interrogating the boundaries of his own work in relation to that of other disciplines. He has collaborated with designers, architects, engineers and entrepreneurs on a wide range of industry projects in the U.S. and in Europe, including residential and commercial buildings, private homes, urban regeneration and adaptive re-use, applications of AI technology in the built environment, and advanced computing for digital manufacturing. He has contributed to the design and construction of numerous exhibitions, pavilions, and physical prototypes internationally, some of which were showcased at the Venice Biennale of Architecture (2016/2023), the IASS Expo Pavilions (2015), the Biennial of Young Artists in Europe (2013), and the Benaki and Byzantine Culture Museums (2014). In addition to his academic and professional experience, Alex pursues artistic work with his primary medium being electronic music sound. He is self-trained in computer music technology which he uses since 2009 in the composition, production and performance of electronic music.
Please see my Curriculum Vitae linked below for publications, research projects, teaching appointments, and creative projects.
Collaboration Inquiries / Prospective Students:
I am available for collaboration on research projects, thesis supervision, creative projects, and industry consulting.
Students at Harvard: Please reach out using my harvard.edu address. Specify the reason for our meeting in the subject line and include a brief description of your background in the main email body.